https www nfb ca film how_people_got_fire

[171], At the 2016 awards, the NFB received six more Webbys: Way to Go received the Webby and People's Voice awards in the Web/NetArt category as well as the Webby for Online Film & Video/VR: Gaming, Interactive or Real-Time. Moreover, in 1997 the American cable channel Cartoon Network created a weekly 30-minute show called O Canada specifically showcasing a compilation of NFB-produced works; the segment was discontinued in favour of Adult Swim. [35], The alternative drama films were The Masculine Mystique (1984), 90 Days (1985), Sitting in Limbo (1986), The Last Straw (1987), Train of Dreams (1987), Welcome to Canada (1989) and The Company of Strangers (1990). [65], In September 2011, the NFB and the Montreal French-language daily Le Devoir announced that they would jointly host three interactive essays on their websites, ONF.ca and ledevoir.com. Studio D was shut down in 1996, amidst a sweeping set of federal government budget cuts, which impacted the NFB as a whole. [166] In 2011, Welcome to Pine Point received two Webbys, for Documentary: Individual Episode in the Online Film & Video category and Net art in the Websites category. [18][19], In 1950, a revision of the National Film Act removed any direct government intervention into the operation and administration of the NFB. It will be broadcast on TVO and stream free on NFB.ca and TVO.org. [34], In the 1980s, the National Film Board also produced a number of "alternative drama" films, which combined documentary and narrative fiction filmmaking techniques. A decade later, The Valour and the Horror outraged some when it suggested that there was incompetence on the part of Canadian military command, and that Canadian soldiers had committed unprosecuted war crimes against German soldiers. [71][72], One of the most notable filmmakers in the history of the NFB is Alanis Obomsawin, an Abenaki director who will be completing her 50th film with the NFB in 2017. [13], In 1940, with Canada at war, the NFB launched its Canada Carries On series of morale boosting theatrical shorts. Filmmaker-in-Residence, a project by Katerina Cizek about St. Michael's Hospital in Toronto, was named best online documentary series at the 2008 Webbys. Shannon was designated as Executive Director of the new studio—the first government-funded film studio dedicated to women filmmakers in the world— which became one of the NFB's most celebrated filmmaking units, winning awards and breaking distribution records. In addition to Neighbours, other NFB productions have been the source of controversy, including two NFB productions broadcast on CBC Television that criticized the role of Canadians in wartime led to questions in the Senate of Canada. [49][50], Dao's counterpart for French-language interactive media production at the NFB is Hugues Sweeney, based in Montreal. As of December 2014, the 16th commissioner of the NFB is Claude Joli-Coeur, who first joined the NFB in 2003 and had previously served as interim commissioner. [174], The Kid Who Couldn't Miss (1982) cast doubt on the accomplishments of Canadian World War I flying ace Billy Bishop, sparking widespread outrage, including complaints in the Senate subcommittee on Veterans' Affairs.[175]. French Animation and Youth Studio based in Montreal, headed by Executive Producer: Studio Acadie/Acadia Studio based in Moncton, headed by Executive Producer: Jacques Turgeon and Producer: Maryse Chapdelaine, René Chénier, formerly head of French Animation, is Executive Producer of Special Projects. NFB-produced and co-produced works featured at prestigious non-fiction forum. It was designed by Georges Beaupré. The series became the subject of an inquiry by the Senate. [68], In April 2013, the NFB announced that it was "seeking commercial partners to establish a subscription service for Internet television and mobile platforms next year. First launched in January 2009, the program has led to the production of Sarah Polley’s Stories We Tell, Yung Chang‘s The Fruit Hunters and Su Rynard’s The Messenger. [21] The Challenge for Change was also created the same year as a community media project which would develop the use of film and video as a tool for initiating social change. From 1941 to 1984, the Division commissioned freelance photographers to document every aspect of life in Canada. [47][48], Loc Dao is the executive producer and "creative technologist" responsible for NFB English-language digital content and strategy, based in the Woodward's Building in Vancouver. In 1974, in conjunction with International Women's Year, the NFB created Studio D on the recommendation of long-time employee Kathleen Shannon. [51][52], The NFB is also recognized as a leader in virtual reality,[53] with works such as the Webby Award-winning The Unknown Photographer, Way to Go and Cardboard Crash. The NFB in Pop Culture", Minister of Sport and Persons with Disabilities, Canadian Radio-Television and Telecommunications Commission, Canadian Museum of Immigration at Pier 21, Society of Motion Picture and Television Engineers, https://en.wikipedia.org/w/index.php?title=National_Film_Board_of_Canada&oldid=996056232, Organizations awarded an Academy Honorary Award, Canadian federal departments and agencies, Producers of Best Documentary Short Subject Academy Award winners, Academy Award for Technical Achievement winners, Articles with dead external links from August 2018, Articles with permanently dead external links, Articles with dead external links from May 2017, Articles with dead external links from September 2010, Articles with dead external links from September 2016, Articles with dead external links from April 2017, Articles with dead external links from November 2018, Articles with dead external links from February 2018, Articles with unsourced statements from January 2018, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Film and interactive media producer and distributor, 1939: The government of Canada proposes the creation of a National Film Commission to complement the activities of the. [16], In 1967, the creation of the Canadian Film Development Corporation (now known as Telefilm Canada) refined the mandate for the National Film Board. 2011: Annie Award for Best Animated Short Subject, 2009: Applied Arts Interactive Annual, Selected, 2009: CNMA (Canadian New Media Awards), Winner- Best Cross Platform Project, 2009: Digital Marketing Awards, Winner- Best of Show, 2009: Digital Marketing Awards, Winner-DMA Award, 2009: Hot Docs, Winner- Special Jury Prize, 2009: On Line Journalism Awards, Winner- Best Multi Media Feature Presentation, 2010: Applied Arts Interactive Annual, Selected, 2010: Applied Arts Interactive Awards, Winner – Entertainment, Arts and Tourism, 2010: Applied Arts Interactive Awards, Winner – Experimental and Artistic, 2010: Applied Arts Interactive Awards, Winner – Net Art, 2010: Applied Arts Interactive Awards, Winner – On Line Video, 2010: Applied Arts Interactive Awards, Winner – Public Service Charity, 2010: BaKaFORUM, Winner- Youth Jury Prize, 2010: CNMA (Canadian New Media Awards), Best On Line Program, 2010: CNMA (Canadian New Media Awards), Community Campaign of the Year, 2010: Communication Arts Interactive Annual, Selected, 2010: Communication Arts, Web Pick of the Week, 2010: Emmy Awards, International Digital Emmy, Non Fiction, 2010: On Line Journalism Awards, Winner- Multi Media Feature Presentation, Small Site, 2010: SXSW Interactive, Winner, Activism Category, 2011: Applied Arts Interactive Awards, Winner-Entertainment, Arts & Tourism, 2011: Banff World Television Festival, Interactive Rockie Awards, Winner- Best On Line Program – Documentary, 2011: Bellaria (Italy) Documentary Festival, Best Cross Media Doc, 2011: Communication Arts Interactive Annual, Selected, 2011: Communication Arts, Web Pick of the Day, 2012: Digi Awards (formerly Canadian New Media Awards), Best in Canadian culture, 2012: Digi Awards (formerly Canadian New Media Awards), Best in web series, non-fiction, Canadian Cultural Property Export Review Board, Public Servants Disclosure Protection Tribunal, This page was last edited on 24 December 2020, at 08:20. [96] Cinéaste recherché(e) is a similar program for French-language emerging animators. [58], In October 2009, the NFB launched an iPhone application that was downloaded more than 170,000 times and led to more than 500,000 film views in the first four months. [32], Running from 1967 to 1980, Challenge for Change and its French-language equivalent Societé Nouvelle became a global model for the use of film and portable video technology to create community-based participatory documentary films to promote dialogue on local issues and promote social change. From documentaries about Biggie and Tupac to the Secret Life of Cats , there’s a lot to choose from. "[83] Subsequent films included the 1969 documentaries These Are My People and You Are on Indian Land. [78][79][80], The NFB was a founding partner in Wapikoni Mobile, a mobile film and media production unit for emerging First Nations filmmakers in Quebec. [170] In 2015, the NFB-co-produced webdoc Seven Digital Deadly Sins received three People's Voice Awards, chosen by the public online, at the 2015 Webby Awards. [7] In June 2011, the NFB appointed a producer to work with film and digital media makers across Saskatchewan, to be based in Regina.[8]. [169] In 2014, the interactive photo essay The Last Hunt received a People’s Voice Award Webby for best navigation/structure. [165] In 2010, the NFB website Waterlife, on the state of the Great Lakes, won in the Documentary: Individual Episode category. This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. The vignettes became popular because of their cultural depiction of Canada, and because they represented its changing state, such as the vignette Faces which was made to represent the increasing cultural and ethnic diversity of Canada. This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. 1965: As a result of a report written by producer Gordon Sheppard on Canadian cultural policies and activities, the NFB began regionalizing its English production activities, with producers appointed in major cities across Canada. Screenwriter Jacques Bobet, hired in 1947, worked to strengthen the French Unit and retain French talent and was appointed producer of French versions in 1951. In 1985, this Division officially became the Canadian Museum of Contemporary Photography. [94], Hothouse, a program for emerging animators that marked its tenth anniversary in 2015. That no one ever grew old or moved on. [25][26], In 2006, the NFB marked the 65th anniversary of NFB animation with an international retrospective of restored Norman McLaren classics and the launch of the DVD box set, Norman McLaren – The Master's Edition. In spring 2019, the NFB moved its headquarters from the Norman McLaren Building in the Montreal borough of Saint-Laurent to the new Îlot Balmoral building located at Montreal's Quartier des spectacles, adjacent to the Place des Festivals [fr] square. English-language production occurs at centres in Toronto (Ontario Centre), Vancouver (Pacific & Yukon Centre, located in the Woodward's Building), Edmonton (North West Centre), Winnipeg (Prairie Centre), and Halifax (Atlantic Centre). As a result of cuts imposed by 2012 Canadian federal budget, by 2015 the NFB's public funding will be reduced by $6.7 million, to $60.3 million. [32][87][88], Notable films produced by the studio include three Academy Award-winning documentaries I'll Find a Way (1977), If You Love This Planet (1982) and Flamenco at 5:15 (1983), as well as Not a Love Story (1982) and Forbidden Love: The Unashamed Stories of Lesbian Lives (1992). In the early 1970s, two Quebec political documentaries, Denys Arcand's On est au coton and Gilles Groulx's 24 heures ou plus, were initially withheld from release by the NFB due to controversial content. Director General, Creation and Innovation: René Bourdages. Commentary 75. [10] The NFB also offers support programs for independent filmmakers: in English, via the Filmmaker Assistance Program (FAP) and in French through its Aide du cinéma indépendant – Canada (ACIC) program. [32][33], NFB documentarians played a key role in the development of the IMAX film format, following the NFB multi-screen experience In the Labyrinth, created for Expo 67 in Montreal. This technique was also used on Caroline Leaf's film The Street. [20], In 1956, the NFB's headquarters was relocated from Ottawa to Montreal, improving the NFB's reputation in French Canada and making the NFB more attractive to French-speaking filmmakers. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. Learn more, How People Got Fire, Daniel Janke, provided by the National Film Board of Canada, provided by the National Film Board of Canada, The Owl Who Married a Goose: An Eskimo Legend. [176] Released the following year, If You Love This Planet, winner of the Academy Award for best documentary short subject, was labelled foreign propaganda under the Foreign Agents Registration Act of 1938 in the United States. [29] The NFB eliminated 73 full and part-time positions. In 2015, the NFB's animation studios were credited as helping to lead a revival in stop-motion animation in Canada, building on the tradition of NFB animators such as McLaren and Co Hoedeman. [178][179], The Board's logo consists of a standing stylized figure (originally green) with its arms wide upward. [55][56][57] By mid-2013, the NFB's digital platforms had received approximately 41 million views. [167] In 2012, the NFB received two more Webbys, for Bla Bla (best web art) and God's Lake Narrows (best use of photography). Based in Ottawa, 90% of its staff were English and the few French Canadians in production worked with English crews. [63][64] In January 2013, it was announced that the NFB film app would be available for the BlackBerry 10, via the BlackBerry World app store. ", "The National Film Board of Canada in the Year 2000: Action Plan, A New Charter for a New Century", "What's inside the new NFB iPhone App - NFB/blog", "The NFB Films iPad app is now available! Sweeney's recent credits include the online interactive animation work, Bla Bla. [108], As part of the 2012 budget cuts, the NFB announced that it was forced to close its Toronto Mediatheque and Montreal CineRobotheque public facilities. Articles, timelines & resources for teachers, students & public. [177], The NFB is a minority owner of the digital television channel, Documentary in Canada. [5] The NFB will occupy the first six floors of the building, which will allow it to have closer contact with the public, and will also feature expanded digital media research and production facilities. [32], As of March 8, 2016, researchers and librarians at the University of Calgary announced an archival project to preserve records of Studio D.[89], On March 8, 2016, NFB head Claude Joli-Coeur announced a new gender-parity initiative, with the NFB committing that half of all its production spending will be earmarked for films directed by women. The term pixilation itself was created by NFB animator Grant Munro in an experimental film of the same name. National Film Board 2021-01-15T11:17:19-05:00 Feature-length documentary and three interactive works showcased at IDFA. The NFB continued to be involved with IMAX breakthroughs at subsequent world's fairs, with NFB director Donald Brittain directing the first-ever IMAX film Tiger Child for Expo 70 in Osaka, and with the NFB producing the first full-colour IMAX-3D film Transitions for Expo 86 in Vancouver and the first 48 fps IMAX HD film Momentum for Seville Expo '92. The plan also sees the NFB building on its relationships with Canadian schools and organizations to create more educational materials about Indigenous peoples in Canada. The NFB's French-language animation unit was founded in 1966 by René Jodoin. [163] In August 2011, the NFB received an outstanding technical achievement in digital media award from the Academy of Canadian Cinema & Television. The Sand Castle was the first (and so far only) sand animation to win an Oscar. Past graduates include Michèle Cournoyer, who took part in the program's 9th edition in 1989. After Expo, Kroitor left the NFB to co-found what would become known as IMAX Corporation, with Graeme Ferguson and Robert Kerr. Juneau recommended the creation of a French production branch to enable francophone filmmakers to work and create in their own language. The NFB has received more than 90 awards from the Canadian Film Awards, the Genie Awards and the Canadian Screen Awards, including a Special Achievement Genie in 1989 for its 50th anniversary. [115][116] In 2009, Norman McLaren's Neighbours was added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world.[117]. [74][75], In November 2006, the National Film Board of Canada and the Inuit Broadcasting Corporation announced the start of the Nunavut Animation Lab, offering animation training to Nunavut artists. Pedagogical evaluations and study guides are only available to CAMPUS subscribers. [62] When the BlackBerry PlayBook launched on April 19, 2011, it included a pre-loaded app offering access to 1,500 NFB titles. [15], In this period, other NFB films were issued as newsreels, such as The War Is Over (1945), intended for theatrical showings. The six-storey John Grierson Building at its Montreal headquarters has been unused for several years – with HQ staff now based solely in its adjacent Norman McLaren Building. or There Must Be More to Life, International Academy of Digital Arts and Sciences, Not a Love Story: A Film About Pornography, "Un territoire, deux districts électoraux", "L'ONF déménage dans le Quartier des spectacles à Montréal", "Digital is the future of film, television, new media, says Tom Perlmutter", "NFB's Ontario Studio gets new Toronto digs", "FEDERAL BUDGET 2016: Arts community had better spend its budget money wisely", Connected worlds: history in transnational perspective, Volume 2004, "Propaganda Cinema at the NFB – The World in Action", "Five Filmmakers in Conversation with Gerald Pratley", "National Film Board of Canada/Office national du film du Canada", "Canadian Film Policy: History of Federal Initiatives", "Challenge for Change launched, a participatory media approach to citizenship education", "Films, Tourists, and Bears in the National Parks: Managing Park Use and the Problematic 'Highway Bum' Bear", "Canada Vignettes: Essential Canadiana, eh! About us. It was updated in 2002 by the firm of Paprika Communications. [118] The first-ever Oscar for documentary went to the NFB production, Churchill's Island. Digital Platforms: Chief Digital Officer: Human Resources: Director General: François Tremblay, Digital Studio in Vancouver, headed by Executive Producer, Animation Studio based in Montreal, headed by Executive Producer Michael Fukushima, Atlantic Centre based in Halifax, headed by Executive Producer Annette Clarke and Producer Paul McNeill, Quebec Centre based in Montreal, also headed by Executive Producer Annette Clarke, Ontario Centre based in Toronto, headed by Executive Producer Anita Lee, North West Centre based in Edmonton, headed by Executive Producer. As of 2017, 53% of its producers and executive producers are women, as well as half of its administrative council. [16], In 1964, a separate French production branch was finally established, with Bobet as one of its four initial executive producers. The following is an incomplete list of the winners. Twelve five-minute films were produced through the program, with four from each province. Traditional animators included Richard Condie, John Weldon, Allison Snowden, Janet Perlman, Cordell Barker, Brad Caslor, Michael Mills, Paul Driessen among others (some draw on paper rather than cels). In 1996, the NFB operating budget was cut by 32%, forcing it to lay off staff and to close its film laboratory, sound stage (now privatized) and other departments. NFB-branded series Retrovision appeared on VisionTV, along with the French-language Carnets ONF series on APTN. As the story unfolds, we also meet 12-year-old Tish, an introspective, talented girl who feels drawn to the elder. [67] NFB documentaries are also available on Netflix Canada. The National Film Board currently maintains its head office in Saint-Laurent, a borough of Montreal, in the Norman McLaren electoral district, named in honour of the NFB animation pioneer. Influenced by the work of Henri Cartier-Bresson, the NFB's Studio B production unit experimented with cinema verite in its 1958 Candid Eye series. [94] In 2018-19, 48% of NFB works were directed by women (38% by men and 14% by mixed teams), and 44% of the NFB production budget was allocated to works created by women (41% for works by men and 15% for works by mixed teams). "[69] As of April 2015, NFB.ca offered VOD films from partners Excentris and First Weekend Club along with NFB productions, with over 450 English and French VOD titles scheduled to be added in 2015. , and alternative dramas on VisionTV, along with the Canadian Encyclopedia is your reference on Canada Robert... Were widely distributed through publication in various media 85 ] a documentary was also used on caroline used. ( Kinngait / Cape Dorset ) [ 6 ], Early in its Montreal HQ, there centres! Making the entire symbol appear to be an eye with legs its own revenue streams payments, also! 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