I went back and sat down and Urbie looked at me and said, George, you¹re the only one I know who plays that like a trombone. I don¹t start off by blowing real loud. George has been interviewed innumerable times by many different journals and magazines. My parents were really proud of me (tongue-in-cheek) for making money with my trombone! A friend of mine, a bass player (Don Simpson) from Des Moines said, George, the trombone player from Krupa's band is leaving. They will hear things that they really like and will need to work toward that type of sound, to grab hold of it. It was Urbie's lyric tenor trombone playing that inspired George to be an "Urbie" one octave lower. So, I would go outside and practice long tones and stuff. Don said, I know you¹re over in Milwaukee and it's close. I found that, sometimes, the weight actually helped me. Just really beat up. George, could we discuss the trombones that you have played what horn you started on, what you have played, and what you are playing now? Helfer said, get all your stuff, put it in the car and be at Radio Recorder¹s in 40 minutes. The hotel maid came in and said, there¹s a man on the phone named Stan Kenton who wants to talk to you. The first thing I think of when I play a beautiful ballad is that I want my wife, Suzanne, sitting about ten feet in front of me. Helfer said, how long would it take you to get in your car with your bass trombone, your bag of mutes, and everything else that you carry and get down to Radio Recorder¹s Annex? I thought, good Lord. Everybody we¹re all going over to Robert Isele¹s house. If I hadn¹t had the means of doing that, with the embouchure shift, that wouldn¹t have happened. That¹s how he¹s going to learn how to be what we¹re talking about. Anyway, when it came time to warm up, I started my soft, long tones and noticed that Lloyd was playing even softer and longer. Lloyd Ulyate, my dearest friend (who passed away just recently) and I were playing a date. I tell all of my kids that you must always take as much air as you can you can¹t exhale and start playing. That's where I met Sue, my wife. Before retiring, he had performed on over 6000 recordings. Urbie Green is a heck of a better trombone player than I am. Like, all these big pictures had Alfred Newman and Elmer Bernstein, and all that. I thought, Mr. Gillette? George Roberts Bass Trombone Competition. I started playing trombone when I was twelve. My brother-in-law, Vern Grant, had a little band. He plays a song just like Frank (Sinatra) sang and, you go from one end of the trombone to the other, this is why I've always wanted to meet him, and found out that he plays that way by being the neatest, most wonderful person in the whole world. So, I went back inside and informed my father that I was still running away but was putting it off until morning. That¹s basically why I didn¹t do that. Nelson was a big benefactor of ours. The teacher informed my mother that I would never play trombone because my arms were not long enough. Mark Lawrence, principal trombonist of the San Francisco Symphony, came out to a BonesWest rehearsal and the guys asked me to play something with the group after Mark¹s clinic was finished. They knew that I could play because they knew me when I was with Krupa and Urbie. The manufacturers are all making great horns now they all are. It wasn¹t too hard because I had been singing in the Church choir. Loud. I have a mouthpiece that Burt Herrick made for me years and years ago. My new Kanstul is very light and responsive. Learn how to be absolute masters of our own strengths and weaknesses the G pedal tone can be.. Thought, hey, this is insanity, you get in the band! 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